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To be an effective lighting designer,
it takes a lot of knowledge, understanding and practical experience.
There are many good designers out there, making a decent living.
But, there are only a few great ones. So, what makes them great?
The first question of course is: what are you trying to light? What's
the goal? The designer must have a good idea about the specific
characteristics of the different lighting fixtures that are available
so they can select the appropriate fixture for the task at hand.
Have you taken classes on the physics of light? Have you studied
along side a veteran pro? These are both good ideas if you want
to take your craft to the very highest level.
Of course, there are lessons you can
only learn while on the job. Have you ever tried to take a single
lighting fixture and illuminate an actor in unique settings? For
example, the actor would 'appear' very different against a dark
setting, compared to a light setting. The fixture hasn't changed,
however the change in visual effect and appearance on a human observer,
is very noticeable. Things really are what they appear to be - at
least in the theatre. Now, what about the various stage fixtures?
Have you used them all? As you probably know, there are five basic
fixtures. They are: ellipsoidal, reflectors, fresnels, pars, beam
projectors, and floods. No matter what you are trying to accomplish,
using these fixtures will produce as many visual impressions as
you need - an unlimited number of affects really.
Factors that influence the perception
of light include:
- Fixture beam spread
- Mounting direction and distance
- Color & reflectance of object being illuminated
- Color & reflectance of surrounding objects
So, do you understand how each of
these fixtures performs under a countless variety of conditions?
It's critical to be aware of the differences.
Lighting design is an art form, no
doubt about that. But it's also a science. Do you have a good idea
how your tools work? Do you know how a certain lighting fixture
will perform at particular distance? At 25 degree, a 1000 watt ellipsoidal
will typically produce a 12 foot diameter pool at 50 feet. Further,
this fixture will provide approximately 100 foot candles (1000 lux)
of light at this distance.
The mechanics of lighting are fairly
well understood. What isn’t as much, and can't really be taught,
is the ability to create feelings, moods and personality with your
light. Once you have this skill, you'll eventually create your own
style, that some may emulate. If you are one of these types, you'll
instinctively 'know', how a specific fixture will perform at any
distance. This is one of the gifts of experience.
The important take away? The lighting
designer must balance mechanics and art, because both are very important.
About Angstrom Lighting
Angstrom Lighting is a full-service lighting and special effects
supplier serving the entertainment industry since 1977. The
company rents, sells and services lighting equipment for corporate
and special events, theatre, trade shows, schools, churches, architectural
applications and film. The company also offers production
design, installation, consultation services & educational programs
and has collaborated with such noted clients as the Hollywood Bowl,
Hollywood & Highland, Morongo Casino, Thinkwell Design &
Production, American Girl Place and Los Angeles International Airports.
Angstrom Lighting is a member of ESTA, USITT, the Hollywood Chamber
of Commerce, the California Chamber of Commerce, and the Better
Business Bureau, including the BBB Online program protecting e-commerce.
Angstrom Lighting offers the best
stage lighting, theater or theatrical lighting, concert lighting,
dj lighting, video lighting, party lighting, event lighting and
lighting rental fixtures, lighting supplies, lighting equipment,
lighting design and lighting education in the industry.
Angstrom Lighting is located in Hollywood,
California; additional information can be found at http://www.angstromlighting.com
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